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  1. #21
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    The pleasure of satisfying a savage instinct, undomesticated
    by the Ego, is incomparably much more intense than the one
    of satisfying a tamed instinct. The reason is becoming the
    enemy that prevents us from a lot of possibilities of pleasure.

    Sigmund Freud



    :-D try to beat that





  2. #22
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    Leisure and Idleness. There is an Indian savagery, a savagery peculiar to the Indian blood, in the manner in which the Americans strive after gold: and the breathless hurry of their work-the characteristic vice of the New World-already begins to infect old Europe, and makes it savage also, spreading over it a strange lack of intellectuality. One is now ashamed of repose: even long reflection almost causes remorse of conscience. Thinking is done with a stopwatch, as dining is done with the eyes fixed on the financial newspaper; we live like men who are continually "afraid of letting opportunities slip." "Better do anything whatever, than nothing"-this principle also is a noose with which all culture and all higher taste may be strangled. And just as all form obviously disappears in this hurry of workers, so the sense for form itself, the ear and the eye for the melody of movement, also disappear. The proof of this is the clumsy perspicuity which is now everywhere demanded in all positions where a person would like to be sincere with his fellows, in intercourse with friends, women, relatives, children, teachers, pupils, leaders and princes-one has no longer either time or energy for ceremonies, for roundabout courtesies, for any esprit in conversation, or for any odium whatever. For life in the hunt for gain continually compels a person to consume his intellect, even to exhaustion, in constant dissimulation, overreaching, or forestalling: the real virtue nowadays is to do something in a shorter time than another person. And so there are only rare hours of sincere intercourse permitted: in them, however, people are tired, and would not only like "to let themselves go," but to stretch their legs out wide in awkward style. The way people write their letters nowadays is quite in keeping with the age; their style and spirit will always be the true "sign of the times." If there be still enjoyment in society and in art, it is enjoyment such as over-worked slaves provide for themselves. Oh, this moderation in "joy" of our cultured and uncultured classes! Oh, this increasing suspiciousness of all enjoyment! Work is winning over more and more the good conscience to its side: the desire for enjoyment already calls itself "need of recreation," and even begins to be ashamed of itself. "One owes it to one's health," people say, when they are caught at a picnic. Indeed, it might soon go so far that one could not yield to the desire for the vita contemplative (that is to say, excursions with thoughts and friends), without self-contempt and a bad conscience. Well! Formerly it was the very reverse: it was "action" that suffered from a bad conscience. a man of good family I concealed his work when need compelled him to labor. The slave labored under the weight of the feeling that he did something contemptible-the "doing" itself was something contemptible. "Only in otium and bellum is there nobility and honor:" so rang the voice of ancient prejudice!

    :-D :-D :-D

    (en nu weer muziek :-? )
    Elke beperking is een verrijking.

  3. #23
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    je vergeet je bronvermelding :wink:





  4. #24
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    Citaat Oorspronkelijk geplaatst door roadkill
    je vergeet je bronvermelding :wink:
    haha inderdaad!

    :razz: Nietzsche, ... who else :wink:
    Elke beperking is een verrijking.

  5. #25
    Barret Wallace
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    :-? :-? :-? :-?

    WTF VINDEN JULLIE DIE SOLO,S VAN MIJ GOED < :-? :-?

    haha ık was/ben ops er ABSOLUUT nıet tevreden mee ık had em ff ın 10 mınuten opgenomen de dag voordat ık naar marmarıs vertrok maar jullıe vınden hem goed COOOOOOL >!é!é!é!!!!! kıckass shıt man

    haha Bosch mooıe solos ook ş<0 grappıg om hıer men eıgen shıt te horen hehehe ık heb al een tıjdje geen guıtar aangeraakt <ş9 ,

    tja dıe engl ık had fuckıng kenkergeluk de dag voordat ık weggıng het ıs een lang vehraal maar heeft te maken met fınacıerıng door men ouders enzo ık kan het zelf ook nog steeds nıet geloven <İSİSİS

    anyway dat dıong klınkt ELKKER en ık kan er nu nıet pop spelen <ş9

    owja YOU GUYS ROCJK <1111111111111111111 THANKS VOOR JULLIE COMMENTS

    nou ehmmmmmm ık ga weer van de temperatuur hıer genıeten 40 graden ın de schaduw :-? :-? :-? landınwaarsts dan he ş<0 aan de kust ıs het nog wel te doen


    <9 sorryvoor het rare typen maar dıt toetsenbord ıs anders ıngedeel< şs =

  6. #26
    Barret Wallace
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    Hava ğüzel, derıel mıe :razz:


    ğule ğule

  7. #27
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    cool dude...
    als je terugbent ff engl en 5150 vergelijken

  8. #28
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    Citaat Oorspronkelijk geplaatst door Swan
    cool dude...
    als je terugbent ff engl en 5150 vergelijken
    kun jij dan misschien ook even die 5150 in de engl cab met V30s steken om te kijken hoe dat klinkt?
    pokkel'n

  9. #29
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    Kan ik je wel vertellen! Klinkt geweldig!!!
    Swan heeft de mijne (5150).
    Voor de verkoop had ik al de ENGL en 6*12" klinkt nog net wat vetter dan 2*12". :-D

    Howdoe,

    ~Bosch~

    edit: Het geluid wordt iets minder direct, maar dat wordt gecompenseerd door het feit dat het enorm breed wordt.
    Elke beperking is een verrijking.

  10. #30
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    ik kan me nog steeds die engl halfstack niet in Barrets kamer voorstellen eerlijk gezegd

 

 

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